In the footsteps of Fluxus, "On verra bien dit Robert" questions the relationship between the work and to the one who receives it, and between art and life. How can we be inspired from life to create the work, how can we capture the present moment in the circularity between the work and the viewer?

In the presence of what may come, this three-dimensional film constructs an abime gaze, a kaleidoscope of the everyday between interviews, happenings, performances, artistic holdups and participative hostage-taking.